AHPC WW2 K Class Destroyers

 

On my dungeon crawl I used two Lumberjills to transport me back to the Aquifer so that I could take the water route to level 2.  I'm not sure if it's required but here's a naval themed post to mark my second trip to the Aquifer.  I have 4 1/2400 models for my ongoing WW2 Naval project - three British K class destroyers and another dummy radar blip in greyscale.  The K class models are GHQ and the other is by CinC.

Group Sot.  Still working out how to use my lightbox so not the best photo.

HMS Kelvin, Kimberley and Kipling (the K class had the most Victorian Imperial names possible)were all heavily engaged in the Med all served in the Med.  Kipling was sunk by the Luftwaffe off Mersa Matruh in May 1942 but the other two were the sole survivors (of a class of 8) on VJ Day.  I picked up a copy of Mal Wright's book on WW2 British Destroyer Camouflage and had some fun putting some of the patterns on 1/2400 models. 

I couldn't find a mid war pattern for HMS Kelvin so used a typical Med pattern based on that worn by HMS Javelin.  These close ups show the fine detail on these 1/2400 scale models, which come up nicely with some washes and dry brushing.

HMS Kimberley sports a 1940 era pattern.  Mal notes that this was unofficial and created by the crew using what ever paints were available in the lockers.

HMS Kipling wears a 1942 Admiralty scheme with a typical mix of colours.

CinC sold this as a L class AA destroyer which it most certainly isn't.  So it's become another  radar blip.

As I get ready to post I've noted that I need to go back and add Pennant numbers on the hulls.  (G37 for Kelvin, G50 for Kimberley and G91 for Kipling).  In past posts people seem to like my basing so I thought I'd share my recipe.  I should note that it carries by batch of ships and also I use different base colours for different projects (i.e. a much greener tint for my Dutch Wars ships).

1. I base the ships prior to priming on 2mm pdf  60mm by 20mm in this case.  The corners are rounded for my own protection.
2. A base coat of ultramarine blue.  I think that the Med needs bright Azure tones even if it could often be an ugly grey.   I try to get close to the hull edges but would rather leave an outline of primed base than paint the hull blue and have to fix it up.
3. An overcoat of Payne's Grey thinned down so that the base coat shows through.  If one was being really correct you could paint bands of the deeper colour to indicate mid-Ocean rollers, but that's too much bother most times.
4. Typically I do the base edges in Payne's Grey at the same time as the overcoat.
5. Wave highlights using a mix of Payne's Grey (or ultramarine blue depending on what's on the palette) freehanded resemble bow waves, wake and Ocean waves.  Typically I'll use a mid blue mix followed by something close to white for the crests.  At this stage I try and fill in any gaps around the waterline left in step 2.
6. Glue the label down with PVA.  Labels are banged together in word using text boxes with  pictures inserted representing the naval ensigns.
7. Give the sea a coat of Acrylic Gloss medium to get a shine.  This can be unnerving at first as the medium goes on milky white but dries clear.

That's 4 hulls at 2 points a pop (compared to Adam's 30 points for one hull earlier today).